{"id":3293,"date":"2023-12-21T16:52:42","date_gmt":"2023-12-21T16:52:42","guid":{"rendered":"https:\/\/www.gnration.pt\/en\/?post_type=event&#038;p=3293"},"modified":"2024-01-25T12:36:43","modified_gmt":"2024-01-25T12:36:43","slug":"joana-sa","status":"publish","type":[14],"link":"https:\/\/www.gnration.pt\/en\/event\/2024\/joana-sa\/","title":{"rendered":"joana s\u00e1"},"content":{"rendered":"<p style=\"text-align: justify;\">Pianist, improviser and composer Joana S\u00e1 brings to the stage <em>Corpo-escuta \/ A body as listening<\/em>, a new solo for piano and electronics, and the latest fragment of a much wider project. <em>A body as listening &#8211; resonant cartography of music (im)materiality<\/em> is a type of work that we don&#8217;t come across very often. This project unfolds in several different formats which, although autonomous, complement and enrich each other. A book, published by Sistema Solar\/Teatro Praga, a virtual installation &#8211; which can be visited at <a href=\"https:\/\/www.abodyaslistening.com\/\">www.abodyaslistening.com<\/a> &#8211; a disc published by Clean Feed and a conference-performance are the outputs that make up this project that Joana S\u00e1 has decided to embrace. Each of these parts is a marker on the path that the pianist began to tread, a path that seems to guide her to this moment, to the show that she will present sitting at the piano.<br \/>\nHer work is characterised by transdisciplinarity, experimentation and the search for different artistic (un)formats. Joana S\u00e1 explores the relationship between the body and listening, resonance and vibration. Her solo career includes the trilogy through this looking glass (2010\/11), Elogio da Desordem (2013) and \u00e0 escuta: o aberto (2016) &#8211; which also served as the subject of her PhD. In addition to her solo work, S\u00e1 is also active in various duos, trios and quintets with artists such as Lu\u00eds J. Martins, Nuno Aroso, Eduardo Raon and Savina Yannatou. She has performed at leading national and international venues and recorded for Deutschland Funk, SWR2 S\u00fcdwestrundfunk 2 and Antena 2.<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"font-size: 10pt;\">music, performance (piano and others) and artistic direction<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">joana s\u00e1<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">visual design<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">daniel costa neves<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">performance co-creation (movement support)<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">teresa silva<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">body-listening device (installation)<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">henrique fernandes<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">light design<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">daniel costa neves and tela negra<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">light operation<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">black screen<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">sound design and operation<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">suse ribeiro<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">production<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">less much more, crl<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">co-production<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">culturgest, gnration, jazz ao centro<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">music, performance (piano and others) and artistic direction<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">joana s\u00e1<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">visual design<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">daniel costa neves<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">performance co-creation (movement support)<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">teresa silva<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">body-listening device (installation)<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">henrique fernandes<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">light design<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">daniel costa neves and tela negra<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">light operation<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">black screen<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">sound design and operation<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">suse ribeiro<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">production<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">less much more, crl<\/span><br \/>\n<strong><span style=\"font-size: 10pt;\">co-production<\/span><\/strong><br \/>\n<span style=\"font-size: 10pt;\">culturgest, gnration, jazz ao centro<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><strong>support<\/strong>\u00a0portuguese republic &#8211; culture \/ directorate-general for the arts. rtcp &#8211; network of portuguese theatres and cinemas<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pianist, improviser and composer Joana S\u00e1 brings to the stage Corpo-escuta \/ A body as listening, a new solo for piano and electronics, and the latest fragment of a much wider project. A body as listening &#8211; resonant cartography of music (im)materiality is a type of work that we don&#8217;t come across very often. This <a class=\"read-more\" href=\"https:\/\/www.gnration.pt\/en\/event\/2024\/joana-sa\/\" title=\"Learn More\">Learn More<\/a><\/p>\n","protected":false},"featured_media":3294,"menu_order":0,"template":"","class_list":["post-3293","event","type-event","status-publish","has-post-thumbnail","hentry","type-music"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event\/3293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/types\/event"}],"version-history":[{"count":3,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event\/3293\/revisions"}],"predecessor-version":[{"id":3477,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event\/3293\/revisions\/3477"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/media\/3294"}],"wp:attachment":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/media?parent=3293"}],"wp:term":[{"taxonomy":"type","embeddable":true,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/type?post=3293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}