{"id":3729,"date":"2024-04-09T12:08:57","date_gmt":"2024-04-09T11:08:57","guid":{"rendered":"https:\/\/www.gnration.pt\/en\/?post_type=event&#038;p=3729"},"modified":"2024-04-09T12:08:57","modified_gmt":"2024-04-09T11:08:57","slug":"cinema-no-patio-portrait-of-a-lady-on-fire-by-celine-sciamma","status":"publish","type":[22],"link":"https:\/\/www.gnration.pt\/en\/event\/2024\/cinema-no-patio-portrait-of-a-lady-on-fire-by-celine-sciamma\/","title":{"rendered":"cinema no p\u00e1tio: portrait of a lady on fire, by c\u00e9line sciamma"},"content":{"rendered":"<p style=\"text-align: justify;\">Hundreds of writers in the head of a poet, a portrait painted as a gesture of love, drifting everywhere in search of the one you left, someone who disappears (or forgets to reappear). In the complexity and fragility of the present time, four film proposals around identities &#8211; who we are or who we want to be, what we are or where we are from &#8211; are projected at this year&#8217;s Cinema no P\u00e1tio. Edgar P\u00eara, Fernando Pessoa and all his heteronyms set the tone in <em>N\u00e3o Sou Nada<\/em>. C\u00e9line Sciamma reflects on an impossibility in <em>Portrait of a Lady on Fire<\/em>, Elia Suleiman on Palestine, origin and belonging in <em>It Must Be Heaven<\/em>\u00a0and, finally, Victor Erice on absences and lost identities in <em>Close Your Eyes<\/em>.<\/p>\n<p style=\"text-align: justify;\"><strong>The cycle Cinema no P\u00e1tio 2024 is programmed by Eduardo Brito.<\/strong><\/p>\n<p style=\"text-align: justify;\">Eduardo Brito works in cinema, writing and photography. He wrote and directed <em>A Sibila<\/em> (2023), based on the work of Agustina Bessa-Lu\u00eds. He is also the author of the short films <em>Pen\u00fambria<\/em> (2016), <em>Declive<\/em> (2018), <em>Ursula<\/em> (2020), <em>Lethes<\/em> (2021) and <em>La Ermita<\/em> (2021). He wrote the screenplay for the feature film <em>The Worst Man in London<\/em> (Rodrigo Areias, 2024), the short films <em>The Knife<\/em> (Paulo Abreu, 2012), <em>The Glory of Making Cinema in Portugal<\/em> (Manuel Mozos, 2015) and <em>The Eternal Man<\/em> (Lu\u00eds Costa, 2017). With Rodrigo Areias, he wrote the feature films <em>H\u00e1lito Azul<\/em> (2018) and <em>A Pedra Espera Dar Flor<\/em> (also with Pedro Bastos, 2022). He teaches at the Faculty of Fine Arts of the University of Porto (FBAUP), where he studied, and at ESAD &#8211; Escola Superior de Artes e Design, and specialised in screenwriting at the Escuela Internacional de Cine y Televisi\u00f3n in Cuba.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OZ9FTB85fvE?si=s_B1hOR0sdfeFH6p\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\"><strong>portrait of a lady on fire<\/strong><\/p>\n<p style=\"text-align: justify;\">In 1770, Marianne is sent to an isolated island in Brittany, France, to paint the wedding portrait of H\u00e9lo\u00efse, a young woman who has just left a convent. H\u00e9lo\u00efse resists the fate of becoming the wife of someone she has never seen and refuses to pose for the painting. Marianne is therefore forced to paint the young woman in secret. Presented as a lady-in-waiting, the painter watches her every day.<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><strong>support<\/strong> portuguese republic &#8211; culture \/ directorate-general for the arts. rtcp &#8211; network of portuguese theatres and cinemas<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hundreds of writers in the head of a poet, a portrait painted as a gesture of love, drifting everywhere in search of the one you left, someone who disappears (or forgets to reappear). In the complexity and fragility of the present time, four film proposals around identities &#8211; who we are or who we want <a class=\"read-more\" href=\"https:\/\/www.gnration.pt\/en\/event\/2024\/cinema-no-patio-portrait-of-a-lady-on-fire-by-celine-sciamma\/\" title=\"Learn More\">Learn More<\/a><\/p>\n","protected":false},"featured_media":3734,"menu_order":0,"template":"","class_list":["post-3729","event","type-event","status-publish","has-post-thumbnail","hentry","type-cinema"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event\/3729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/types\/event"}],"version-history":[{"count":1,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event\/3729\/revisions"}],"predecessor-version":[{"id":3735,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event\/3729\/revisions\/3735"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/media\/3734"}],"wp:attachment":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/media?parent=3729"}],"wp:term":[{"taxonomy":"type","embeddable":true,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/type?post=3729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}