{"id":4501,"date":"2024-12-12T12:30:57","date_gmt":"2024-12-12T12:30:57","guid":{"rendered":"https:\/\/www.gnration.pt\/en\/?post_type=event&#038;p=4501"},"modified":"2025-05-12T11:31:25","modified_gmt":"2025-05-12T10:31:25","slug":"ana-vieira-cadernos-de-montagem","status":"publish","type":[29],"link":"https:\/\/www.gnration.pt\/en\/event\/2025\/ana-vieira-cadernos-de-montagem\/","title":{"rendered":"ana vieira: cadernos de montagem"},"content":{"rendered":"<p style=\"text-align: justify;\">A pioneer in more experimental and expanded artistic practices, Ana Vieira (1940-2016) is one of the most influential artists in 20th century Portuguese art. She was born in Coimbra and spent her childhood in S\u00e3o Miguel, in the Azores. In 1964, she graduated in Painting from the Lisbon School of Fine Arts, but her career took her beyond this art. With a career spanning more than four decades, she has developed a body of work marked by installations and scenic and theatrical constructions. She held two important exhibitions, in 1998 at the Serralves Museum and in 2011 at the Calouste Gulbenkian Foundation. Her work has been shown nationally and internationally since then, most notably the anthological exhibition in 2017 at the Gra\u00e7a Morais Art Center in Bragan\u00e7a and the retrospective dedicated to her in 2020 by the Es Baluard Museum in Spain.<\/p>\n<p><em>Ana Vieira: Cadernos de montagem<\/em> focuses on the work of Ana Vieira, seeking to study, document and present a set of works, along with the respective drawings and notes made by the artist. The aim of this exhibition project is to produce assembly notebooks as a way of ensuring their preservation and presentation in future exhibitions.<\/p>\n<p style=\"text-align: justify;\">The exhibition and editorial project was designed by curator Antonia Gaeta, architect Astrid Suzano and conservator and researcher Sofia Gomes, in collaboration with the Banco de Arte Contempor\u00e2nea (BAC) and the heirs to the artist&#8217;s estate, her children Miguel and Paula Nery.<\/p>\n<p style=\"text-align: center;\"><strong>curated by<\/strong><br \/>\nantonia gaeta, astrid suzano and sofia gomes<\/p>\n<p style=\"text-align: center;\"><strong>partnership<\/strong><br \/>\n<span data-contrast=\"auto\">centro de arte oliva<\/span><br \/>\n<span data-contrast=\"auto\">caaa \u2013 centro para os assuntos da arte e arquitetura<\/span><br \/>\n<span data-contrast=\"auto\">gnration<\/span><br \/>\n<span data-contrast=\"auto\">mace \u2013 museu de arte contempor\u00e2nea de elvas<\/span><span data-ccp-props=\"{&quot;335559739&quot;:160}\">\u00a0<\/span><\/p>\n<div class=\"content-section__content event__content\">\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><strong>support<\/strong>\u00a0portuguese republic \u2013 culture \/ directorate-general for the arts. rtcp \u2013 network of portuguese theatres and cinemas<\/span><\/p>\n<\/div>\n<div class=\"content-section__content event__share\"><\/div>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>A pioneer in more experimental and expanded artistic practices, Ana Vieira (1940-2016) is one of the most influential artists in 20th century Portuguese art. She was born in Coimbra and spent her childhood in S\u00e3o Miguel, in the Azores. In 1964, she graduated in Painting from the Lisbon School of Fine Arts, but her career <a class=\"read-more\" href=\"https:\/\/www.gnration.pt\/en\/event\/2025\/ana-vieira-cadernos-de-montagem\/\" title=\"Learn More\">Learn More<\/a><\/p>\n","protected":false},"featured_media":4502,"menu_order":0,"template":"","class_list":["post-4501","event","type-event","status-publish","has-post-thumbnail","hentry","type-exhibition"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event\/4501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/types\/event"}],"version-history":[{"count":1,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event\/4501\/revisions"}],"predecessor-version":[{"id":4503,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event\/4501\/revisions\/4503"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/media\/4502"}],"wp:attachment":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/media?parent=4501"}],"wp:term":[{"taxonomy":"type","embeddable":true,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/type?post=4501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}