1966 \u00b7 sweden \u00b7 1 hr 24 mins \u00b7 m\/16<\/p>\n
After losing her voice whilst performing Electra, the actress Elisabeth Vogler isolates herself completely from the world, with the nurse Alma as her sole companion. A relationship of mutual identity and dependence develops between the two women. Persona is considered one of Ingmar Bergman\u2019s essential films and one of the great works of experimental cinema.<\/p>\n
under the sign of the double [sob o signo do duplo]<\/strong><\/p>\n The double can be defined as \u2018a self that is simultaneously another\u2019: something which, defying the laws of physics, is not only possible in cinema, but is a theme for which cinema has harboured a particular fondness since its earliest days. Cinema no P\u00e1tio presents four proposals centred on the idea of the other-self, between the present and the absent, the reflection and the distortion, and how they all connect to an image of damnation: the double in cinema almost always reflects the accursed, the deception, the perdition. Eduardo Brito works in film, writing and photography. In film, he wrote and directed the feature film A Sibila, based on the novel by Agustina Bessa-Lu\u00eds. He has directed several short films, such as Pen\u00fambria, Declive and \u00darsula. He has written the screenplays for several of Rodrigo Areias\u2019s feature films, including O Pior Homem de Londres. In photography and writing, he explores the themes of truth, fiction and memory, as well as the relationship between text and image, as seen, for example, in the books East Ending and Procura Nada. Eduardo holds a Master\u2019s degree in Artistic and Museological Studies from the Faculty of Fine Arts at the University of Porto. He specialised in screenwriting at the Escuela Internacional de Cine y TV in Cuba. He teaches as a guest lecturer at FBAUP, where he is a PhD candidate in Fine Arts, and at FLUP.<\/p>\n curated by<\/strong> eduardo brito<\/p>\n supported by<\/strong>\u00a0portuguese republic – culture, youth and sports \/ general direction of the arts. portuguese contemporary art network (rpac). rtcp – network of portuguese theaters and cinemas.<\/p>\n","protected":false},"excerpt":{"rendered":" 1966 \u00b7 sweden \u00b7 1 hr 24 mins \u00b7 m\/16 After losing her voice whilst performing Electra, the actress Elisabeth Vogler isolates herself completely from the world, with the nurse Alma as her sole companion. A relationship of mutual identity and dependence develops between the two women. Persona is considered one of Ingmar Bergman\u2019s essential Learn More<\/a><\/p>\n","protected":false},"featured_media":5405,"menu_order":0,"template":"","class_list":["post-5404","event","type-event","status-publish","has-post-thumbnail","hentry","type-cinema"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event\/5404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/types\/event"}],"version-history":[{"count":3,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event\/5404\/revisions"}],"predecessor-version":[{"id":5549,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/event\/5404\/revisions\/5549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/media\/5405"}],"wp:attachment":[{"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/media?parent=5404"}],"wp:term":[{"taxonomy":"type","embeddable":true,"href":"https:\/\/www.gnration.pt\/en\/wp-json\/wp\/v2\/type?post=5404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u2014 Eduardo Brito<\/p>\n